Archive for the ‘Janet Reid’ Tag

In the Blogosphere: 2/12-2/25

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m making one of my resolutions to be better with these blogosphere posts.  *Well, I’m trying, but I’ve been reallllllly busy!* I’ve saved a lot of great stuff, though, and it’s all definitely worth a read.

AGENT STUFF

At RWA nationals in 2010, I attended a fantabulous session with agents of awesome Holly Root and Barbara Poelle, Pocket Books senior editor Abby Zidle, and author Jenny Gardiner, where they reenacted what happens in an acquisitions editorial meeting.  SO eye-opening! Along those same lines, WordServe Literary’s Rachelle Gardner recreates a pub committee meeting here.

Is there such a thing as a fictional memoir?  The Query Shark herself, FinePrint Literary’s Janet Reid answers that question.

PLATFORM & MARKETING

Over at Writer Unboxed, Writer’s Digest and the University of Cincinnati’s Jane Friedman gives tips about using Facebook as a marketing tool—without becoming a nuisance.

And, here, author Jody Hedlund offers seven ways you can market your book—gasp!without the Internet.

VEWY CWAFTY

Here, my favorite Scotsman, Simon C. Larter, says action through dialogue is where it’s at!  And he also calls Shakespeare “Billy Shakes,” which is one of the reasons we’re be-fris.  :)

But how does one write good dialogue, you ask?  Former agent turned author Nathan Bransford tells you here.

Also, I absolutely love the Sentence Strengthening series on YA HighwayHere’s one on how to more effectively use adjectives and adverbs (or not use them, as the case sometimes is).

Want more strength in your writing?  On Write Anything, Annie Evett lists some weak words to “bin” in her series on self-editing tips.

And here is a fantastic, comprehensive resource with that lists tropes (common storytelling devices or conventions) for . . . just about everything.  You could seriously spend months playing around in there!

HOW-TOS

Need to send a press releaseAngus Shaw over at The Blog Herald tells you how.

And here, agent Natalie Fischer gives some advice on how to avoid making common mistakes in your manuscript.

OTHER STUFF

We’ve all experienced it—perhaps you’re even going through it right now:  The CraziesHere, author Ally Carter talks about The Crazies—what they are, what not to do when you have them, and how to combat them.

I’m sure some of us have learned this the hard way: Taylor Mali’s The The Impotence of Proofreading. Enjoy.

Happy weekend, everyone!  :)

5 Tips on Dealing with Rejection

Since I am in Atlanta visiting friends, a bit swamped with work, and getting ready to start querying, I thought I’d post this oldie but goodie from my “How to Write Full Time and Stay Sane” series.  Enjoy!

How to Write Full Time and Stay Sane is a series that offers advice to full-time writers about how to stay productive and in good spirits.

Staying sane is something I’ll admit I haven’t been doing very well the past week or so.  Although I’ve had some exciting successes in that time (sold my first piece to a magazine, landed another gig teaching a summer workshop), I’ve also received my first few query rejections for my manuscript.  Because of this, I have assembled some tips as well as links from industry professionals to help you deal with this agonizing process.

Now, no one is more self-deprecating than I—nor will you find more of a realist (although, some might use the term “pessimist”)—so I’ve mentally prepared for this time of literary limbo.  In fact, more than one writer and loved one has scolded me for referring to the query process as “the rejection process” before I’d even received one.  But I can’t help it: I’d much rather be pleasantly surprised than sorely disappointed.

Which are you?

But even with that in mind, and even if you get the nicest, most personalized rejection (and I’ve gotten two of those so far), rejection still sucks.

You know getting rejections is normal; you know how subjective this is; you know how pertinent finding the right agent is; you know you must locate someone who falls head over heels for your work; you recognize how tedious of a task that’s going to be . . .

. . . but you also know you’ve put tens of thousands of hours into the writing and editing of this thing, and you’re doing the most vulnerable thing you’ve ever done by sending it out into the world—and then someone doesn’t want it for whatever reason.

So, yeah, rejection sucks no matter how ready you are for it.

HOW TO DEAL

Tip #1: File It & Forget It

In a recent Write-Brained Network LIVE CHAT, a friend of mine—whose manuscript has been rejected 28 times—said that every time he gets a rejection, he files it and moves on to something else.

That’s great advice.  And if you can do that, more power to ya.  I think the more seasoned you become in this business and the more irons you have on the fire, your skin can definitely thicken—but we’re not all there yet.

As well, I am lucky enough to be able to do this full time, and believe me: news of my first story getting accepted to a Virginia magazine alleviated some of my “I’m-going-to-die-hopeless-and-penniless-and-20-lbs.-over-weight” (Thank you, Stuart Smalley) attitude. However, I fully realize that many of you reading this have day jobs.  The only thing you’ve got cooking is your manuscript, and you don’t have time to distract yourself with other writing endeavors.

So, although filing and forgetting might sound good on paper (or on screen, as it were), I realize it’s easier said than done.  Which brings me to . . .

I’m good enough, I’m smart enough – and doggone it, people like me.

Tip #2: Send to a Friend

During the writing and editing process, we are discouraged from showing our work to loved ones because so many amateurs make the mistake of thinking that if their mother or spouse loves the book, it’s bound to be a New York Times bestseller.

Along that same vein, I am not suggesting you appeal to family and friends for a critique of your manuscript, but now is the time to revel in their bias toward loving it.  Print out a few copies and send them to your biggest fans.

While it’s gut-wrenching (no matter whose eyes scan your pages), if you include a close circle—those who’ve been rooting for you all along (your buddy from work, who always asks about your progress; your parents, who are eager to see what you’ve been doing all this time, etc.)—you are sure to get rave reviews.

As long as you take their glowing assessments for what they are and don’t let them cloud your realistic attitude toward the query process and the publishing industry, this praise can be just the ticket to convince you not to jump.

After all, regardless of whether or not your book will ever get any agent to want it, regardless if the book is even publishable, remember: completing a manuscript is a huge accomplishment. You deserve to have someone stroke your ego a bit.

Your manuscript is GRRRRRRREAT!

CONFUSION

When my first rejection rolled in, I scoured every resource I knew to figure out how to respond.

First of all, don’t get me wrong: I know you aren’t supposed to respond.

But the rejection was not just a personalized version of a form rejection letter.  As well, a YA author friend of mine had given me a referral to this agent because she represented said YA author friend, and the agent had mentioned our mutual acquaintance in the e-mail, so it wasn’t as though this was a cold query.

While I knew not responding at all would have been perfectly acceptable, and while I wasn’t going to lash out at the woman, I went back and forth about sending a “thank you.”

Agents are flooded with e-mail daily, and many are quite vocal on their blogs and on Twitter about not wasting their time, but in doing a little research, I found several well-known agents with conflicting information.  (Wait, agents don’t all agree on everything??)

HOW TO DEAL (AGAIN)

Tip #3: Seek Professional Help

When in doubt, turn to the rejecters themselves—agents and editors.  Many have blogs and other Web sites dedicated to everything from their personal preferences to typical response times.

Here, former Curtis Brown Ltd. agent Nathan Bransford lists acceptable etiquette for rejection follow-up.

For a different perspective, see this post by former agent, Penguin Group’s Colleen Lindsay on what not to do after a rejection.

Over on her blog, FinePrint Literary’s Janet ReidMadame Query Shark herself!—describes how to cut down on your anguish over unanswered queries by making sure you haven’t sent something that isn’t a query.

Tip #4: Gain Some Perspective

Once you’ve gotten a few rejections and you’re feeling like a hack, it’s important to put it in perspective and remind yourself that it’s normal.

Rabbit or duck?

On her blog at QueryTracker, YA author Mary Lindsey discusses how to handle rejection at arm’s length.  Her article is good on its own, but Lindsey references Hal Spacejock series author Simon Haynes’s post, “Rejection of the Literary Kind,” which is also worth a read.

As well, on his Web site, sci-fi writer, photographer and Web designer Jeremiah Tolbert offers an editor’s perspective on rejection.

To round out this area, over at Streetdirectory.com, award-winning romance and nonfiction author Dana Girard categorizes rejection into seven levels and suggests ways you can decode what each kind of rejection means in terms of your manuscript.

Tip #5: Commiserate

For those days when you feel like you’re the only person who sucks this bad, check out the following sites for a little misery-loves-company.

Want some company?

At Absolute Write Water Cooler, you can find several conversation threads where people share their rejections stories, but here’s a link to one where some poor schlubs compete for who got rejected the fastest. Can you beat 30 seconds?

If you’re looking for a gold mine in terms of rejection, bitterness and hilarity, check out Literary Rejections on Display.  The person running the blog—Writer, Rejected—actually says in the About Me profile, “I am a published, award-winning author of fiction and creative nonfiction—but whatever. In the eyes of many, I am still a literary reject.” Writer, Rejected posts his/her own rejection letters (as well as rejection letters sent in by others) and analyzes them—in a sane and fair way (usually).  There are several good posts, so definitely make time to poke around in the blog, but here is an example of a rejection analysis.

And here’s a cranky little rant by freelancer Chris Rodell titled “Reject Me, Please” over at his Media Bistro blog.  If you’re especially pissed off and cynical, this is the post for you.

PEP TALK

This last post (from Nathan Bransford’s blog by guest blogger Jon Gibbs) isn’t directly about getting rejection letters, but it discusses how we reject ourselves at times—how we make excuses for why we can’t do this and that.

Use this when you’re in need of a little pep talk, and it’s sure to snap you back to a state of sanity.

If you’re seeing the old lady, you definitely need a pep talk.

In the Blogosphere: 7/26-8/6

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May/June-ish (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

THE STRAIGHT DOPE ON CONFERENCES

There have been a ton of conferences this summer, but more are just around the corner.

Not sure what to bring to a writers’ conference?  Over on her blog, See Heather Write, writer/editor and aspiring YA novelist Heather Trese gives the basics on what to pack and what to leave home—via this vlog.

Have you never been to one of these events?  Check out this post at The Bluestocking Blog, which details one writer’s lessons learned from her very first conference.

This is an oldie-but-very-goodie post from guest blogger Leah Odze Epstein over at Adventures in Children’s Publishing.  Epstein took great notes at SCBWI Metro New York and was nice enough to share them in a conference round-up.

By the way—WriteOnCon, the FREE online kids’ lit conference, is next week.  Click here to register!

THE NEXT STEPS

So, I’m good on querying and getting and agent and everything—but what happens after that?

Sixteen-year-old Australian YA author Steph Bowe demystifies what happens after you get a book deal in this post on her blog, Hey! Teenager of the Year.

And, here, the ever-fabulous Rachelle Gardner of WordServe Literary explains what is in a publishing contract.

EDITING & CRITIQUING

My SW(IRL) group began critiquing this summer, and some of our members were a bit resistant to it.  I do hope they’ll check out these links!

Here, Jodi Cleghorn of Write for Your Life talks critique etiquette.

In her guest post at Genreality, debut YA dystopian author Jamie Harrington gives a feedback pep talk during which she explains what getting feedback means, why it’s important, and how we need to get over ourselves and get some!

Over at her fantastic blog, author Jody Hedlund offers suggestions of what to do with positive and negative feedback.

And at YA Highway, Amanda Hannah gives us a checklist of what we need in order to get cracking on those revisions.

HILARITY ENSUES

I believe this oldie-but-goodie post was the first I had ever seen of the now-infamous Tahereh (T.H. Mafi), over at Got YA—in which she tells us what the QueryShark herself, Janet Reid, is really thinking.

In the Blogosphere: 7/19-7/23

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

QUERIES

Querying/pitching is up there in terms of the most discussed topics on industry blogs and at writing conferences.  I find it always helps me to look at others’ queries in order to better gauge what does and doesn’t work with my own pitches.

Here, at The Public Query Slushpile, fellow Ohioan Rick Daley has dedicated an entire forum to queries and feedback. The idea of the blog being? Leave feedback on others’ queries. Post your queries.* Get feedback from others. It’s that simple.  The site isn’t exactly like Janet Reid’s Query Shark or Jodi Meadows’s Query Project (in that it’s not just industry pros offering feedback—it’s an open forum for all), but the entries do get a good amount of feedback from readers.  And we are all trying to appeal to readers after all, are we not?  Check it out!

Who says slush can't be delicious?

Over on her blog, Canuck mathematics textbook writer (<—Yes, I included that part for my math-ed professor hubs!) Cheryl Angst compiles and comments on a list of 10 things Howard Morhaim Literary Agency’s Kate McKean tweeted as things that she thinks while she reads queries. Very interesting read!

Going along with the two, more regular, query workshops above, D4EO agent Mandy Hubbard conducted her own query clinic back in May.  Here is the post where she discusses the concept, and here is the last in the series (I’ve included this one because she links to all four of the queries she workshopped in it).

TICK TOCK

Summer seems to be about the hardest time of year to find butt-in-chair-and-write time.

Here, YA paranormal romance author Maggie Stiefvater (Shiver, Linger, etc.) offers some thoughtful advice on how writers can to best manage their time.

Over at Writer Unboxed, Anna Elliott chimes in on this subject as well.

CHARACTERS

Afraid your characters are too one-dimensional?  Paulo Campos of yingleyangle gives three tips on how to breathe some life into your darlings.

Here, longtime industry insider Alan Rinzler offers some further insight on how to create and use author James Scott Bell‘s idea of a voice journal.

RANDOMNOSITY

Since it was our four-year anniversary this week, I am posting this in honor of my husband.  Magazine editor and freelance writer Heather Trese says, “You might be married to a writer if . . . “

And, um, how random is this?  Molly is famous!  About a month ago, Annalemma Magazine used a picture of Molly (my beagly beagle) in an article they did about online writing communities.  The caption says that that pic was the first to come up when they Google image searched online writing community! (It looks like she’s since been ousted, however.  It’s on the fourth page.)

You're not the only famous beagle!

*There is a debate about whether or not to post your original work online.  It’s up to you.  Enough industry blogs host contests or query workshops all the time where people post their original queries, so I wouldn’t necessarily worry about someone stealing your work . . . but it *can* happen.  It would probably be pretty easy to prove your query was yours, though—particularly if you posted in on the Internet.  If you’d like feedback from other writers but you’re wary of posting your work on an open forum, try a password-encrypted, by-invitation-only community like *shameless plug* Shenandoah Writers Online!

In the Blogosphere: 3/8 – 3/12

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

QUERY FAIL

I’ve heard of being a query spammer (addressing an e-query to every agent in the country), but this is ridiculous.  Notorious query spammer Oscar Whitfield ruins it for all of us—but his 7,000 rejections should make one feel better about one’s fraction of that many rejections.

Agent Jennifer Jackson of Donald Maass Literary Agency tallies her queries, and guess what: over half of the queries she receives do not follow the submission guidelines close enough to be considered.

Tsk, tsk, tsk . . . I’m not sure what’s worse, Oscar Whitfield’s query bombs or some of the things Lowenstein Associates, Inc.’s Kathleen Ortiz says authors are guilty of when it comes to their query etiquette—or their lack thereof.

RESOURCES

Listy listy.  The good people over at Guardian.co.uk have compiled lists of writing tips from several writers—including the likes of the inimitable Neil Gaiman and Margaret Atwood—in the spirit of Elmore Leonard‘s 10 Rules for Writing Fiction .

Although she said Janet Reid wrote it, middle-grade and young adult sci-fi writer Blee Bonn put my guest blog about the FinePrint Literary agent’s query tips at the top of her “Awesome Advice (for Writers)” post.  Yay!

In this Writer’s Digest oldie-but-goodie post, find out what agents hate (as relayed by Guide to Literary Agents editor Chuck Sambuchino).

On his Web site, CEO of Thomas Nelson Publishers Michael Hyatt discusses the importance of defending your “brand” in the digital age.

UP FOR DISCUSSION

In case you missed my announcement earlier in the week, I did a little guest blogging about leetspeak (“text message lingo”) and the ramifications of its increased acceptance in young adult lit over at Australian author Steph Bowe‘s blog this week.  I’d love to hear your thoughts!

DOWN TIME

Are you a workaholic?  Over at zenhabits, guest blogger Joshua Becker of Becoming Minimalist talks about the importance of resting.

Need something to distract you?  Check out Letterblox over at OMGPOP.

CONTESTS

Over at Inky Fresh Press, Kate announces a call for submissions as well as a contest at Narrative, an online publisher and nonprofit organization dedicated to advancing the literary arts in the digital age.

As well, Writer’s Digest is hosting their 79th annual writing contest with a chance to win $3,000 and a trip to New York City.

SHEDDING SOME LIGHT

Been getting lots of rejections without much feeback?  Here, D4EO literary agent Mandy Hubbard offers some reasons she passes on fulls.

If you’re looking for some “inside” information, the people over at BubbleCow divulge 7 secrets publisher don’t want writers to know.

Have you ever wondered how book covers come to be?  On Orbit, Laura Panepinto posted a YouTube video on that very subject.

Think you’re a diva?  Not sure?  The Waxman Literary Agency offers three questions to ask yourself in order to find out.

Or . . . ask yourself if you're Aretha Franklin. No? Okay, you're probably not then.

THINGS THAT MAKE ME SLIGHTLY SICK

I know Wicked was The Wizard of Oz seen in a new way—and I love it (well, the musical).  However, if they remake it á là Tim Burton, as per this Los Angeles Times article, I may actually vomit.

First The Hills‘s Lauren Conrad and now Hilary Duff?  *tear*

RANDOM

Apparently, certain words and phrases—like “seek” and “flee”—are too sophisticated for people to use outside of print.  Well, that’s what Robert Feder says the higher-ups at WGN believe, anyway.

I loves me some Coco.  And, according to USA Today, O’Brien has changed the life of the one, random Twitter follower he’s chosen.

I loves me some Cleveland Cavaliers, as well.  And, according to Cleveland.com, Eastlake, Ohio, resident Jerry Tomko and a radio essay contest are responsible for the team’s name.  (I’m so proud, having grown up five minutes from Eastlake!)

I’m so excited!  Jodi Meadows and I are going to YA author Maggie Stiefvater‘s book signing in Charlottesville, Va., on Saturday.  Will you be there?

In the Blogosphere: 2/15-2/26

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week—and last week, as I slacked and didn’t do a Blogosphere post last week.

SOME SPLAININ’ TO DO

I don’t know if it was just the places I was checking, but it seemed like a lot of industry peeps wanted to explain a lot of things to writers this week.  Maybe the winter freeze is making people write bad queries?  Or maybe it’s making writers whinier?

Among my favorite entries were by WordServe Literary‘s Rachelle Gardner and Carina Press‘s Angela James.

On her blog, Gardner explains why lit agencies have submission guidelines as well as why she might reject one’s work after she’s requested a partial or full.

James explains why they don’t give personalized rejections as well as why manuscripts are rejected in the first place.

LIT AGENTS

Ever a sweetie, Curtis Brown Ltd.‘s Nathan Bransford reminds us, as writers, to appreciate our biggest supporters, our loved ones.

Love you—and thanks for everything, Kyley T!

Over at Greyhaus Literary, Scott Eagan gives some advice on how to write young adult lit—or how not to write it.

This post on titles by FinePrint Literary‘s Janet Reid made me laugh, and it also answered some questions I had about the process.

RESOURCES

On her blog, Write on Target, YA and women’s fiction writer Debra L. Schubert posted this vlog, wherein she and her agent, Bernadette Baker-Baughman of Baker’s Mark Literary Agency talk publishing.

Being that much of my job now relies on waiting for responses from others, this post, by Peter Bregman over at Harvard Business Review, helps put a lot in perspective in terms of what to do when your voicemails and e-mails go unanswered.

Ring, dammit, ring!

QUERY HELP

On her Web site, kids’ lit author Hélène Boudreau makes writing queries look easy with this breakdown.

Here, Nathan Bransford talks about the difference between being savvy and sucking up; and here, he discusses the theory some have about querying in batches.

For another take on dissecting queries, check out QueryTracker‘s Query Ninja, Elana Johnson.  We’ve got sharks, we’ve got ninjas . . . what’s next? :)

. . . And here two takes on post-query etiquette:

-and-

TONGUE-IN-CHEEK QUERY HELP

On her Probably Just a Story blog, Laura Ellen Scott parodies Writer’s Digest‘s 21 tips on how to get out of the slush pile.

REALITY CHECKS

Andrea Brown Literary Agency‘s Mary Kole reminds us that getting an agent is not a magic bullet to publication; and, in this post, The Intern talks about why agents and editors would *like* to set you straight when you send bad queries—or non queries, as it were—(but why they just can’t).

As seen on TV.

CONTESTS

Some awesome peeps are giving away some awesome prizes!

Break out your tap shoes: Kids’ lit author, the award-winning Beth Kephart wants to know your definition of dance.  She’s giving away signed copies of her second YA novel, House of Dance, to two lucky commenters with the best entries (contest ends March 5).

Want to have your fiction published in Writer’s Digest?  Here, WD’s Zachary Petit lays out how to enter their monthly Your Story contest.

The paperback, out this March.

ALSO

Check out my recent interview with Books & Such Literary Agency‘s Etta Wilson on the Guide to Literary Agents blog.

Writer’s Digest and Writer’s Digest Books is calling for reviews and success stories, so show them some love, if you’ve ever used one of their trillions of resources and hearted it.

How to Write Full Time & Stay Sane: 5 Tips on Dealing with Rejection

How to Write Full Time and Stay Sane is a series that offers advice to full-time writers about how to stay productive and in good spirits.

Staying sane is something I’ll admit I haven’t been doing very well the past week or so.  Although I’ve had some exciting successes in that time (sold my first piece to a magazine, landed another gig teaching a summer workshop), I’ve also received my first few query rejections for my manuscript.  Because of this, I have assembled some tips as well as links from industry professionals to help you deal with this agonizing process.

Now, no one is more self-deprecating than I—nor will you find more of a realist (although, some might use the term “pessimist”)—so I’ve mentally prepared for this time of literary limbo.  In fact, more than one writer and loved one has scolded me for referring to the query process as “the rejection process” before I’d even received one.  But I can’t help it: I’d much rather be pleasantly surprised than sorely disappointed.

Which are you?

But even with that in mind, and even if you get the nicest, most personalized rejection (and I’ve gotten two of those so far), rejection still sucks.

You know getting rejections is normal; you know how subjective this is; you know how pertinent finding the right agent is; you know you must locate someone who falls head over heels for your work; you recognize how tedious of a task that’s going to be . . .

. . . but you also know you’ve put tens of thousands of hours into the writing and editing of this thing, and you’re doing the most vulnerable thing you’ve ever done by sending it out into the world—and then someone doesn’t want it for whatever reason.

So, yeah, rejection sucks no matter how ready you are for it.

HOW TO DEAL

Tip #1: File It & Forget It

In a recent Shenandoah Writers Online LIVE CHAT (let me know if you want in, BTW), a friend of mine—whose manuscript has been rejected 28 times—said that every time he gets a rejection, he files it and moves on to something else.

That’s great advice.  And if you can do that, more power to ya.  I think the more seasoned you become in this business and the more irons you have on the fire, your skin can definitely thicken—but we’re not all there yet.

As well, I am lucky enough to be able to do this full time, and believe me: news of my first story getting accepted to a Virginia magazine alleviated some of my I’m-going-to-die-hopeless-and-penniless-and-20-lbs.-over-weight” (Thank you, Stuart Smalley) attitude. However, I fully realize that many of you reading this have day jobs.  The only thing you’ve got cooking is your manuscript, and you don’t have time to distract yourself with other writing endeavors.

So, although filing and forgetting might sound good on paper (or on screen, as it were), I realize it’s easier said than done.  Which brings me to . . .

I'm good enough, I'm smart enough - and doggone it, people like me.

Tip #2: Send to a Friend

During the writing and editing process, we are discouraged from showing our work to loved ones because so many amateurs make the mistake of thinking that if their mother or spouse loves the book, it’s bound to be a New York Times bestseller.

Along that same vein, I am not suggesting you appeal to family and friends for a critique of your manuscript, but now is the time to revel in their bias toward loving it.  Print out a few copies and send them to your biggest fans.

While it’s gut-wrenching (no matter whose eyes scan your pages), if you include a close circle—those who’ve been rooting for you all along (your buddy from work, who always asks about your progress; your parents, who are eager to see what you’ve been doing all this time, etc.)—you are sure to get rave reviews.

As long as you take their glowing assessments for what they are and don’t let them cloud your realistic attitude toward the query process and the publishing industry, this praise can be just the ticket to convince you not to jump.

After all, regardless of whether or not your book will ever get any agent to want it, regardless if the book is even publishable, remember: completing a manuscript is a huge accomplishment. You deserve to have someone stroke your ego a bit.

 

Your manuscript is GRRRRRRREAT!

CONFUSION

When my first rejection rolled in, I scoured every resource I knew to figure out how to respond.

First of all, don’t get me wrong: I know you aren’t supposed to respond.

But the rejection was not just a personalized version of a form rejection letter.  As well, a YA author friend of mine had given me a referral to this agent because she represented said YA author friend, and the agent had mentioned our mutual acquaintance in the e-mail, so it wasn’t as though this was a cold query.

While I knew not responding at all would have been perfectly acceptable, and while I wasn’t going to lash out at the woman, I went back and forth about sending a “thank you.”

Agents are flooded with e-mail daily, and many are quite vocal on their blogs and on Twitter about not wasting their time, but in doing a little research, I found several well-known agents with conflicting information.  (Wait, agents don’t all agree on everything??)

HOW TO DEAL (AGAIN)

Tip #3: Seek Professional Help

When in doubt, turn to the rejecters themselves—agents and editors.  Many have blogs and other Web sites dedicated to everything from their personal preferences to typical response times.

Here, Curtis Brown Ltd. agent Nathan Bransford lists acceptable etiquette for rejection follow-up.

For a different perspective, see this post by FinePrint Literary‘s Colleen Lindsay on what not to do after a rejection.

Over on her blog, Lindsay’s FinePrint colleague Janet Reid describes how to cut down on your anguish over unanswered queries by making sure you haven’t sent something that isn’t a query.

Tip #4: Gain Some Perspective

Once you’ve gotten a few rejections and you’re feeling like a hack, it’s important to put it in perspective and remind yourself that it’s normal.

Rabbit or duck?

On her blog at QueryTracker, YA author Mary Lindsey discusses how to handle rejection at arm’s length.  Her article is good on its own, but Lindsey references Hal Spacejock series author Simon Haynes‘s post, “Rejection of the Literary Kind,” which is also worth a read.

As well, on his Web site, sci-fi writer, photographer and Web designer Jeremiah Tolbert offers an editor’s perspective on rejection.

To round out this area, over at Streetdirectory.com, award-winning romance and nonfiction author Dana Girard categorizes rejection into seven levels and suggests ways you can decode what each kind of rejection means in terms of your manuscript.

Tip #5: Commiserate

For those days when you feel like you’re the only person who sucks this bad, check out the following sites for a little misery-loves-company.

Want some company?

At Absolute Write Water Cooler, you can find several conversation threads where people share their rejections stories, but here’s a link to one where some poor schlubs compete for who got rejected the fastest. Can you beat 30 seconds?

If you’re looking for a gold mine in terms of rejection, bitterness and hilarity, check out Literary Rejections on Display.  The person running the blog—Writer, Rejected—actually says in the About Me profile, “I am a published, award-winning author of fiction and creative nonfiction—but whatever. In the eyes of many, I am still a literary reject.” Writer, Rejected posts his/her own rejection letters (as well as rejection letters sent in by others) and analyzes them—in a sane and fair way (usually).  There are several good posts, so definitely make time to poke around in the blog, but here is an example of a rejection analysis.

And here’s a cranky little rant by freelancer Chris Rodell titled “Reject Me, Please” over at his Media Bistro blog.  If you’re especially pissed off and cynical, this is the post for you.

PEP TALK

This last post (from Nathan Bransford’s blog by guest blogger Jon Gibbs) isn’t directly about getting rejection letters, but it discusses how we reject ourselves at times—how we make excuses for why we can’t do this and that.

Use this when you’re in need of a little pep talk, and it’s sure to snap you back to a state of sanity.

If you're seeing the old lady, you definitely need a pep talk.

In the Blogosphere: 2/1-2/5

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

THE CRAFT

A fellow Northeast Ohioan gives some advice on constructing scenes in her Writers & Teachers blog.

In this post, YA writer and ferret aficionado Jodi Meadows talks about how to challenge characters on her (W)ords and (W)ardances blog.

IN THE NEWS

This week, Amazon and Macmillan duked it out.  Curtis Brown Ltd. literary agent Nathan Bransford did a great job of summing up the whole mess here.

LITERARY AGENTS

The Query Shark herself, FinePrint Literary‘s Janet Reid, discloses a common agent pet peeve.  As well, over at the Guide to Literary Agents blog, two guest bloggers, Donna Gambale and Frankie Diane Mallis, share Reid’s tips from the Greater Lehigh Valley Writers Group workshop on keeping your queries to 250 words or less.

At her Rants & Ramblings blog, WordServe Literary‘s Rachelle Gardner outlines the top 10 query mistakes she sees.

And, amidst an industry where all we hear about is how tough times are and how impossible it is to make it, Nathan Bransford gives us a glimmer of hope by reminding us it’s a great time to be an author.

SOCIAL NETWORKING

Daniel Scocco of Daily Blog Tips weighs in on whether or not inviting guest bloggers helps or hurts your readership.

Last but not least, DailyLit‘s Maggie Hilliard creates a new adage out of an old one.

In the Blogosphere: 1/18-1/22

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

RESOURCES

Over at his blog, The Book Deal, editor extraordinaire Alan Rinzler shares some tips on hooking agents and editors.  He also gives examples of good hooks.  This blog is chock-full of all kinds of writing tips and just brimming with awesomeness, so check it out.

Over at WOW! Women on Writing, fellow Writer’s Digest contributor Kerrie Flanagan gives tips on how to pitch an agent.

The Oatmeal has become one of my favorite sites, with its hilarious lists on various subjects.  I mostly love it for its grammar and spelling tips—although, I’m a little biased, as its style is reminiscent of the approach I used when I taught grammar.  This post on spelling had me laughing out loud (ROTFL).  This is my favorite:

I wrote two posts this week, mentioning poetry and screenwriting.  If these areas are foreign to you, the folks over at Writer’s Relief can shed some light on them.  Learn some poetry lingo here, and get some screenwriting resources here.

At Editorial Anonymous, learn a thing or two about deciphering those rejection letters with this tongue-in-cheek post.

As I discussed earlier this week, when I came to the end of last week’s fight to finish my manuscript, I realized my original title no longer worked.  Desperate to be done with the thing and eager to apply the icing on my literary cupcake (what??), I, naturally, turned to the Internet for assistance with titles.  I found some help at Writing-World.com, Writer’s Digest, and eHow.

LIT AGENTS

Blogger sisters Lisa and Laura Roecker give some of Nancy Coffey Literary agent Joanna Stampfel-Volpe‘s tips on synopses.

WordServe Literary‘s Rachelle Gardner offers some advice on perfecting that elevator pitch.

As well, FinePrint Literary‘s Janet Reid details what a writer needs to have ready when looking for an agent for fiction, memoir, and nonfiction with this straightforward list on her blog.

Last but not least, The Last Will of Moira Leahy author Therese Walsh of Writer Unboxed asks her agent, Elisabeth Weed of Weed Literary, about voice—something not easily defined, yet something every agent seeks.

UP FOR DISCUSSION

Over at Fiction City, my writer buddy, Lisa Katzenberger, asks: How Soon Do You Start Critiques?

Here, Robert McCrum of The Observer talks plagiarism and lists some famous examples of authors’ works which have been accused of it.

In this guest post on Rachelle Gardner‘s Rants & Ramblings, editor Chuck Sambuchino asks, “Would you pay more for an agent?” And many weigh in…

CONCERNING A WRITER’S NEUROSES

I shall keep these three posts close by during this query (and, hopefully, submission) process:

Yes, that's "Monk."

OPPORTUNITIES

Like to read?  Like to blog?  Here, Thomas Nelson PublishersMichael Hyatt tells how to get your hands on free books and get your name out there by reviewing them.

Don’t forget to enter my contest here on the blog.  Click here for details on my easy-peasy contest, and see how you can win a brand-new 2010 Guide to Literary Agents!

JUST ‘CAUSE

I’m with COCO.

In the Blogosphere: 1/4-1/8

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

**This week’s blogosphere post is going to be a bit longer because next week’s might be shorter—or nonexistent.  I plan to go a bit MIA starting tomorrow so I can get my YA manuscript out by Friday.  WISH ME LUCK, PLEASE!!!

YA AUTHORS

My virtual friend, Wendy Toliver (author of The Secret Life of a Teenage Siren, Miss Match, and the forthcoming Lifted) is the newest member of Buzz Blog: “where YA authors from Berkley JAM, Flux, Dutton, Puffin, Delacorte, HarperCollins, Harlequin Kimani-Tru, Houghton Mifflin, and Simon Pulse discuss writing, promotion, and of course, hot guys…” Check out her first post in which she talks about her famous “Fave Fives” that got her on track to being published.  As well, if you comment on her introductory blogs (there are seven this week), you have a chance to win a $10 Borders gift card!

New York Times bestselling author, original Nerdfighter, and Printz Award recipient John Green (author of Looking for Alaska, An Abundance of Katherines, and Paper Towns as well as collaborating author of Let It Snow and the upcoming Will Grayson, Will Grayson) offers an optimistic view on the future of reading—complete with quirky footnotes and all—on School Library Journal.

STAY ON TOP

According to David Carr at The New York Times, Twitter is it.  I believe I’ve discussed the usefulness of Twitter and its hashtags in terms of writing and publishing before, but the folks over at What the Hashtag?!, the user-editable encyclopedia of hashtags, break down what these valuable Twitter tools are and how to effectively use them.

Greg Pincus, a guest blogger over at Writer’s Digest editor Alice Pope‘s CWIM blog, talks online audience optimization: you blog, vlog, tweet, and comment, but how do you reach your target audience?

THREE AGENTS & AN EDITOR

Here, you’ll find FinePrint Literary‘s Colleen Lindsay‘s take on word counts and novel length.  According to her and other agents’ tweets, 2010 has already seen its share of this kind of faux pas.

However, the aforementioned post will be one of the last of its kind, according to Lindsay’s last post of 2009Side note: I’m actually interviewing Ms. Lindsay for the Guide to Literary Agents blog, so look for that interview in the coming months!

Nelson Literary Agency‘s Kristin Nelson advises writers to wait a week before querying over at Pub Rants.

In the style of FinePrint Literary agent Janet Reid‘s post from last week’s blogosphere roundup, Del Rey Books‘ editor-in-chief, Betsy Mitchell, examines her manuscript rejections of 2009.

PEP TALKS

Writer’s Digest‘s Chuck Sambuchino uses Superman IV to say there’s no such thing as selling out on his GLA blog.

In this post, the good people of Writer’s Relief explain that even a few minutes is enough time to write.

YA author Dawn Metcalf says, “chill, baby, chill,” on her blog, Officially Twisted.  Publishing comes to those who wait.TRUTH & LIES

Grammar nerd that I am, I love the book Woe Is I: The Grammarphobe’s Guide to Better English in Plain English.  Over at mental_floss, WII author Patricia T. O’Conner debunks five grammar myths.

On his Web site, science fiction writer, photographer, Web designer, and editor Jeremiah Tolbert dispels five lies writers believe about editors.

SOMETHING MY HUSBAND WOULD LOVE

Run Leia Run‘s Adam Bertocci, an award-winning filmmaker and screenwriter, shows the world what would have happened if Shakespeare had written The Big Lebowski.

The Dude abideth.

JUST FOR FUN

I, for one, forgot most of what’s been going on the last two seasons of LOST.  Don’t want to sit through those annoying “pop up” episodes ABC is sure to unleash in the coming weeks?  Thanks to Holy Kaw posting this YouTube link, here is a recap of the entire first five season in eight minutes.

A QUESTION OF QUERIES

As I mentioned, I am sending out queries for my novel next week (yeeks!), so these two posts are of particular interest to me this week.

Author and WordServe-Literary-agent-Rachelle Gardner-client Jody Hedlund talks queries and their aftermath.

I am perhaps most interested in posts of this nature.  On her Web site, Kimberly Pauley, a YA author, shares two of her original query letters for her popular vampire series Sucks to Be Me—both of which she says got her partial and full requests and led to her eventual publication.

Follow

Get every new post delivered to your Inbox.

Join 32 other followers

%d bloggers like this: